Through the refurbishment of a Victorian house built on Alma Square, Northwest London, in 1883, we explore the relationships people over time can nurture within their home; their attachment to a specific space and its architectural elements.

Finding meaning in the subjective and emotional approach to architectural ele-ments and spaces that people may have during the life of a building. We question the char-acter of these inhabitants in relation to the space and the architectural relics that remain as different generations come and go.

Here spaces are not described by their functional “use” but rather by potential scenes emphasizing the relationships between inhabitants and home. The work of G8A re-identifies this house with its heritage, similarity and duplication become a trade mark. As viewers, we are intrigued by the uncertainty of whether the house belongs to one owner, to a family or even to a community sharing similarities.

The boundaries between reality and fiction; events that happened in the past or will happen in the future; the people themselves and their souls all interrogate us about the du-ality of “power” existing between a house and its inhabitants.

Halfway between fashion and architecture photography, these images (from Regis Golay) bring an opening; a new life to the documentation of an architectural project.